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The Beauty wouldn’t fall Asleep

Joana Bértholo and Mariana Magalhães

13 and 14 May 2023

    Reading Age rating +6
Um homem deitado no chão de barriga para baixo olha para uma mulher, sentada num banco de madeira. No chão, algodão cria o efeito de que estão sobre uma nuvem.
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  • Families:

    13 and 14 May: 11.30 am

  • Age Rating:

    6 years and above

  • :

    Starting at 6 years

  • Duration:

    25 min

  • Price:

    €1

The Princess is tired, very tired. So tired that all she wants to do is sleep. There is always so much to do… It’s a curse!

  • Text

    Joana Bértholo

  • Creation and Performance

    Mariana Magalhães

The Princess is tired, very tired. So tired that all she wants to do is sleep. There is always so much to do… It’s a curse! At the end of another week of chores and commitments the Princess lays down to rest a little and never wakes up. She isn’t dead, only asleep. In her hand, a mobile phone reads: «Sleep now, only the kiss of Your Destiny will wake you. » What is the Princesses’ Destiny? What kiss is this? Does it have her consent – will it be with feeling?

 

Joana Bértholo

Writer and dramatist: she writes for books and for the stage. She holds a degree in Communication Design from the University of Fine Arts of Lisbon; and a PhD in Cultural Studies from Germany. She has written several novels, story books and a book for children and young adults (The Museum of Thought) published by Editorial Caminho; as well as other texts through other publishers. She has a second children’s book about the Sea-Horse, published with INCM/Patológic. In theatre she wrote for the Festival de Teatro das Compras and supported the dramaturgy for the creations of various different authors: Madalena Victorino, Raquel Castro, Cláudia Andrade, Rita Delgado, Carlos Marques, among others. For the younger generations, she collaborated with Filipe Caldeira and Catarina Gonçalves on Lusco-Fusco, and with João de Brito on Insuflável. Her first play (Quarto Minguante) debuted in 2018 at TNDMII, with stage direction by Álvaro Correia. This was followed by Corpo-Arena, which should have debuted in Italy when the pandemic emerged; and Coisas Que Podiam Ser Ditas (about Othelo), in November 2022, for the Companhia Gato Que Ladra.

 

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