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LU.CA A place to children, young and arts

Animal Farm

Tonan Quito

10 to 21 January 2024

    Theatre Age rating +12 +6
Atriz da cintura para cima atrás de um púlpito de discurso com a palavra Golpe escrita em letras maiúsculas. A atriz está com um nariz de porco e uma das mãos abertas erguida no ar.
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  • Schools:

    10, 11, 17 and 18 January: 10:30am and 2:30pm
    12 and 19 January: 10:30am

  • Families:

    13 and 20 January: 4:30pm
    14 and 21 January: 11:30am and 4:30pm

  • Sessions with Portuguese Sign Language:

    19 January: 10:30am and 20 January: 4:30pm

  • Session with Audio Description:

    20 January: 4:30pm

  • Laid-back session:

    21 January: 11:30am

  • Age Rating:

    12 years and above

  • Target Audience:

    Starting at 10 years

  • Duration:

    50 min.

  • School Prices:

    €3 < 18 years/ €1 +TEIP schools/ Chaperones are exempt

  • Family Prices :

    €3 < 18 years/ €7 > 18 years/ Discounts are applicable

A timeless fable about how we relate to others.

  • Direction

    Tonan Quito

  • Text

    Inês Fonseca Santos, based on George Orwell’s work “Animal Farm”

  • Performance

    Cláudia Gaiolas

  • Set Design

    F. Ribeiro

  • Light Design

    Daniel Worm

  • Sound Design

    Pedro Costa

  • Assembly

    Tiago Coelho

  • Executive Production

    Cláudia Teixeira

  • Production HomemBala

    HomemBala

  • Co-production

    LU.CA – Teatro Luís de Camões and Teatro Virgínia

  • Institutional Support

    Fundo de Fomento Cultural/República Portuguesa

  • Acknowledgments

    Portuguese Army, Lusitano da Penha de França and Movimento Presente

Visual Story (PDF) , external link.

Published in 1945, George Orwell’s “Animal Farm” is a political and satirical text, but also a fable about how we relate to others. Added to this is the age-old theme of power, how it can be irresistible, and ultimately, corrupting. In times of uncertainty and fear, as we witness fierce exercises of power, there is nothing more current and pervasive than provoking a discussion about who is in charge.

 

Who is in charge here? If this “here” is a place of dissatisfaction, what if the children who come to see this play, taking advantage of the theatre, appropriate the story? What if they succeed? What if, for a moment, they become the owners of the farm and we, the obedient pigs?

 

Included in the Ethics and Justice Cycle

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