Among theatres made of paper, cardboard, acetate, color, and light, we can peek and find out that things aren\u2019t exactly as they seem, after all: all we need to do is shifting our angle. Theatres are, just like the performance itself, hybrid objects, both tridimensional and bidimensional.<\/p>\n
<\/p>\n
Jo\u00e3o Fazenda<\/strong> <\/p>\n <\/p>\n","protected":false},"featured_media":4394,"menu_order":0,"template":"","tags":[],"acessibilidade":[],"temporada":[176],"class_list":["post-4467","event","type-event","status-publish","has-post-thumbnail","hentry","temporada-176","type-exhibition","audience-families","audience-schools","age-3-en-2","age-6-en-2"],"acf":[],"yoast_head":"\n
\nBorn in 1979, in Lisbon. Jo\u00e3o studied Graphic Arts at Ant\u00f3nio Arroio School and graduated in painting at Lisbon\u2019s Fine Arts School (Faculdade de Belas-Artes de Lisboa \u2013 FBAUL). His work comprises illustrations, animation, cartoons, painting, and drawing. He works regularly as an illustrator for publications such as Vis\u00e3o, The New York Times, The New Yorker, among others.
\nJo\u00e3o Fazenda took part in several collective and solo exhibitions all over the world. He teaches illustration at FBAUL and has won numerous national and international awards.
\nHe has illustrated children and poetry books, theater plays, film posters, and album covers. In 2018, LU.CA has dedicated a cycle to its work, taking his performance, Spoken Portrait (2014) as a starting point.<\/p>\n